So later this autumn I plan to be up to full speed with it.Īnd be able to work ITB with it (if needed)īut for the moment, it’s a bit overwhelming, looking at a screen with a zillion tiny font parameters to explore, hence the 1% per day approach. It will probably click for me after 21 days of trial use, that cybernetic learning curve. The new GUI is laid out very well, it’s just a matter of translating my mastering concept from many years of using PT & sB, and applying it to WaveLab.

I’m taking the 1% per day, over 100 days learning curve approach with WaveLab 10. I love the power & flexibility of the dual DAW scenario, pitch & catch. Lavry DAC, NSEQ-FF, Sontec 432, Manley VMu, RND MBP, RND MBC ADC,Īnd catching with the Mac Mini M1 w WaveLab 10 in trial learning curve mode,īut in reality, for actual client mastering work, using a 2014 Mac Mini with soundBlade & Sonoris DDP Creator via another Lynx Card & Sonnet Express box. I’m still doing the dual DAW approach, pitchingwith Pro Tools on a MacBook Pro 2015 on Sierra 10.12, via Sonnet TB2 box with Lynx AES-16 card, to my analog EQ path: So I had reinvent my mastering workflow, right in the middle of busy season, motherboard gave out. Yes, the moment arrived, my old Mac Pro Tower 2006 Intel finally died! That i used to catch w Sonic soundBlade for 15 years.

So I’m treading carefully now, step by step, might’ve made the leap a couple years ago with WaveLab 9 Mac,īut the past 2 years have been filled with so many crazy changes, i wanted to keep my catching DAW rig the same as it’s been for sanity. I ask because your setup is a possible future expansion or B rig here.Hey Guys, thanks for asking, it’s a big paradigm shift for me. Is this all ITB, or with an analogue chain? If the latter, how is the chain fed from the Mini?

Wavelab pro 10 torrent