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We both oversaw concepts, layout, animation, environments and I focused on Matte Paintings, roto/paint and composting. Mohsen assumed primary responsibility for asset creation, lighting, and effects. Mohsen was the pivotal force working with the team solving the more technical pipeline issues and pushing the technology needed to complete the work on the show. Mohsen’s main role with VFX Producer Robert Evans and the production team was organizing and running the day to day with Compositing Supervisors Mathew Giampa and Adrian Sutherland and Effects Supervisor Julius Lechner. The first movie was SAN ANDREAS where we he was VFX Supervisor for Vancouver as well.

This was my second collaboration with Mohsen Mousavi. Mohsen Mousavi serves also as VFX Supervisor. Last but not least we had all the shots of the Mothership’s drill cutting into the earths crust but first creating a deep maelstrom in the Atlantic ocean. This includes the Under The Mothership and Singapore destruction sequences (what goes up), as well as London(must come down).Īlso, the landing of the ship, when the Mothership « toes » land in both the Gulf of Mexico and Washington D.C. But the bulk of our shots were the major, worldwide destruction shots, as the Mothership enters Earth’s atmosphere, plants itself firmly on the Earth, and wreaks havoc. Scanline worked on the Africa sequence where the Jeff Goldblum character investigates the last remaining alien City Destroyer from the first invasion 20 years earlier. What were the sequences made by Scanline VFX? Roland and Volker worked with art director Luis Guggenberger to come up with 17 key concept images that were used to get the greenlight for the making of the next instalment of INDEPENDENCE DAY. Bigger ships, bigger fights and bigger aliens.

Roland’s and Volker’s approach was to increase the overall scale. What were their approaches about the visual effects? And this would be my 3rd movie working with Roland, the first being THE DAY AFTER TOMORROW, followed by 2012, and the first time I have worked closely with Volker and his team at Uncharted Territory.

The other projects were 2012 and WHITE HOUSE DOWN. This will be the 3rd time Scanline VFX has collaborated with Director Roland Emmerich and Production VFX Supervisor Volker Engel. How was this new collaboration with director Roland Emmerich and Production VFX Supervisor Volker Engel? Today he explains his work on INDEPENDENCE DAY RESURGENCE. In 2014, Bryan Grill had told us in detail about the work of Scanline VFX on CAPTAIN AMERICA – THE WINTER SOLDIER.

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